N-045 . Alva Noto . Unieqav

Release Date: 2018-03-16
Format: CD, Digital, Vinyl
Tag: Alva Noto, Uni

CAT. #: N-045
Unieqav
Alva Noto

The delivery time within germany is about 3–5 working days

Digital Platform:

alva noto - Uni Sub

5:50

alva noto - Uni Mia

5:52

alva noto - Uni Version

4:48

alva noto - Uni Clip

1:51

alva noto - Uni Normal

4:26

alva noto - Uni Mic A

3:37

alva noto - Uni Blue

5:52

alva noto - Uni Mic B

5:03

alva noto - Uni Dna (feat. Anne-James Chaton)

5:50

alva noto - Uni Edit

1:42

alva noto - Uni Tra

4:20

alva noto - Uni Chord

5:33

UNIEQAV is the ninth solo studio album by German electronic artist Alva Noto. The record was released in 2018 as part of the Uni series – an outlet for his more rhythmic and dancefloor-oriented work. The Uni series began when Alva Noto was booked to play live at the club UNIT in Tokyo, and had to adapt his sound accordingly for that environment.

UNIEQAV is a continuation and development of the concept of Alva Noto’s ‘Unitxt’ and ‘Univrs’ albums, and completes the third part in the trilogy, whereby each record is both unique and part of the bigger picture. This is also mirrored in the artwork for each, which when combined form a triptych spelling ‘Uni’. Described by Carsten as “sonically representing an underwater dive”, the gleaming UNIEQAV brings as usual an inherent artistic, conceptual and scientific depth. Mathematics, data, unit systems, grids, rhythms, codes, text, language, spoken word, DNA, science technology and nature are all utilised, for both inspiration and execution.

As with the last two Uni releases, the French sound poet Anne-James Chaton collaborates here, on ‘Uni Dna’. Where on previous records Chaton first provided a vocal track to which Nicolai composed, this time the duo flipped it; the poet wrote for an existing track, adding his unique vocal approach to recite amino acids that constitute the DNA molecule.

Regarding Carsten’s interest in 3D sound design and building sonic spaces, UNIEQAV transports the listener to a modern, spacious and zen-like place for meditative movement. But conversely the album works equally well in a dark club – as for every glistening digital spark and simple, emotive melody – there’s a stealthy bassline, frenetic drum pattern and colossal low-end thump.